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    The Merlion and other poems

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    Post  Flame^Ice Warrior Tue Apr 28, 2009 9:10 pm

    i have opened another new topic to help DT to sort his things out. this topic is for The Merlion by Sa'at, Telephone Conversation and other poems etc. feel free to ask any questions.
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    Post  Flame^Ice Warrior Tue Apr 28, 2009 9:12 pm

    okay im back. Mr Tan, i have two questions.
    1) Why does the friend of the persona kept wishing the merlion to have paws?
    2) What does it mean by the merlion 'to abandon the seaweed-haunted depths for land?'
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    Post  stormcharger Tue Apr 28, 2009 11:12 pm

    @2
    the merlion escaping its roots to come to land. the persona fren get out of singapore to go somewhere foreign.
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    Post  DT Wed Apr 29, 2009 11:26 am

    the desire to see paws on the merlion is perhaps a frivolous demand - exemplifying the overly critical, generally dissatisfied attitude that some Singaporeans of the new generation have towards Singapore.

    Peng Wai's answer seems ok for part 2 (watch the language though - quite ungrammatical). offer any other alternative?
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    Post  Fishball Wed Apr 29, 2009 8:03 pm

    the first column of the poem is about the persona's fren talkin bout how he finds the merlion 'grotesque', 'post-Chernobyl nightmare" and others.Can I conclude dat those r the poet's impression about the Merlion? I mean, he might have thought like that or else he can't heve thought about describing the Merlion like that.And,why is the Merlion potrayed as weak and lack confidence unlike the Merlion by Thumboo which was majestic and powerful?

    Extra: What's the difference between 'thy' and 'thee'? silent
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    Post  senbazuru~ Wed Apr 29, 2009 9:23 pm

    He is not really trying to say that the merlion is weak, but instead, not sure about its identity.
    The contrast between the two poems are also about the different generations they live in. People in Singapore in the 1960s feel lucky to be living in Singapore after all the riots and feel lucky. Those in the 1990s take things for granted and feel that the grass is greener on the other side?
    I am not sure, but this is what i feel..
    and thy and thou have the same meaning.
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    Post  DT Wed Apr 29, 2009 9:32 pm

    who is fishball? next time pls identify urself.


    you can't really say its what the POET feels, because u can never be sure. this is known as the 'intentional fallacy' - google if you're interested. always say that it is what the persona or the persona's friend feels. this is what the poem is about - does not necessarily have to do with what the poet is trying to say. and when u are talking about themes, you should always try to include modals - perhaps the author is trying to say this, or i think that maybe the author is trying to say this. don't be absolute.

    valerie - good job with the identity thing.

    thee - you (object) - I love thee
    thou - you (subject) - thou art (are) beautiful
    thy - your (I love thy pencil box)
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    Post  Fishball Wed Apr 29, 2009 9:45 pm

    Sorry, sorry, sorry. I forget to say who i am. Err, the girl who sits beside Lin Rui? Very Happy
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    Post  Fishball Wed Apr 29, 2009 9:48 pm

    I dont get what Valerie says. What does being ugly or mutaed have to do with unsure about identity? pale
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    Post  DT Thu Apr 30, 2009 9:34 am

    think about how people who have little pride in the things they own constantly go about self-bashing. for example, your family is a big part of who u are. but as teenagers, when ure searching for your own identity, sometimes u go about being very critical of your own parents. Its the same, how singaporeans who are inevitably singaporeans and can never really escape from that identity, are generally dissatisfied and so go on a nation-bashing spree, describing everything singaporean as ugly. without any objective basis for their criticisms.

    hope this helps.
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    Post  Fishball Thu Apr 30, 2009 8:11 pm

    Thx, Mr.DT Helps super lot
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    Post  JingYi Thu Apr 30, 2009 9:43 pm

    Hello there! I have a question about our Literature exam, the poetry part, what kind of questions are they gonna ask, for example? Do they ask about the main thing of the whole poem like the themes, or do they ask based on a few Stanzas? For example,in THE MERLION, would they ask questions like --
    " what is this poem trying to say about Singaporeans?"
    OR
    " What does the personna mean by ..." confused
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    Post  DT Fri May 01, 2009 1:45 pm

    jing yi, why didn't u ask mdm abey yest!!! I really don't know much about the exam. But I do know that questions will be more general - more to do with themes and subject matter. Answers, however, can be very specific - for instance, you could use specific examples or identify literary devices as part of your answer.
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    Post  RazorHairedBooya Fri May 01, 2009 1:58 pm

    Mr Tan why don't you ask mdm abey and tell us the ans!!! :O
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    Post  JYing Fri May 01, 2009 2:34 pm

    Hey Mr Tan
    I still don't quite understand what's the meaning of 'subject matter'. Mind giving examples for this poem?
    JingYing here.
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    Post  DT Fri May 01, 2009 4:18 pm

    subject matter could be:

    national identity
    national pride
    westernisation
    loss of cultural identity
    90s singapore
    Singapore
    Singaporeans
    national symbols


    and many more. for theme, try to think about what Sa'at is trying to say regarding these. for instance, is he trying to say that the younger generation of singaporeans are becoming increasingly westernised and hence losing a sense of their cultural identity? Up to u to decide and look for evidence to support your answer!
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    Post  JYing Fri May 01, 2009 4:34 pm

    Oh ok thanks. But when you said that the subject matter of this poem is "This poem is about national identity," why is it not "This poem is about LOSING national identity." Anyway, both themes and subjct matters are to be phrased in a sentence? As well as, we must come up with not only 1 subject matter (just like themes)?

    Just a question about EL PP1. The questions of the composition will likely not state whether the question is a narrative, descriptive or arguementative etc, but up to us to interpret? For example, the title "Fire", we can interpret it as descriptive and describe how the fire affects our live (generally), or we can interpret it as a narrative and write about a story of a fire breaking out?
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    Post  DT Fri May 01, 2009 4:43 pm

    Re EL PP1: yes.

    ok subject matter/ideas are practically unlimited. you could potentially identify an endless stream of them from a poem. they are not phrased as a sentence. for example, if you say, this poem is about love or this poem is about national identity, all you are saying is something about the subject matter. if you say, "I think the poet may be trying to argue that the younger generation of singaporeans are losing their national identity" - now that is a theme - based on evidence from the poem, u deduce what kind of "message" the poet is trying to send out. the theme could well be that 'our national identity is GETTING STRONGER'. totally possible, as long as u justify with evidence from the text.
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    Post  JYing Fri May 01, 2009 4:56 pm

    ohoh.
    So, e.g.
    Subject matter of "the melion" is about national identity.
    Theme is "The younger generation of SGreansare LOSING their national identity." <<just like additional information of subj matter(elaboration?).

    Just like:
    Subject matter of "Ulysses" is about a young nation struggling to forge a sense of belonging.
    Theme is "SG (the young nation stated in the SM) is a country struggling for multi-culture, multi-racial and unity (the sense of belonging)"

    A theme is being reduced from the subject matter. (?)
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    Post  DT Fri May 01, 2009 11:03 pm

    yes! but not 'reduced' haha. more like 'expanded'. for ulysses, ur subject matter sounds like the theme.
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    Post  nazeha Sat May 02, 2009 4:35 pm

    Hey Mr Tan,
    >What is the meaning of sibling polarity?
    >"how its sister's lips are sealed...",what or who does the sister refers to?
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    Post  DT Sat May 02, 2009 9:42 pm

    naz,

    i mentioned this in class - the sister of the sphinx is the merlion, and its lips are sealed, supposedly portraying a more self-assured character, in contrast to the merlion, whose open mouth suggests self-doubt.

    sibling polarity - polarity means opposites. u can infer this from ur physics - north and south magnetic poles. so the sphinx and merlion, although they are siblings, are polar opposites.
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    Post  senbazuru~ Sat May 02, 2009 10:28 pm

    Like they are worlds apart,nothing alike in them^^
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    Post  Jessica Sat May 02, 2009 11:10 pm

    Hello, I've some doubts/ questions:
    1. Why is the Merlion ashamed when it was the one who had left the sea to come to land? Does it mean that the Merlion was forced to doing so? Also, does "what a bold front" suggests that despite being unsure of its true identity, the Merlion has put up with all the snares and uncertainity with a strong and powerful look?

    2. Is the "ceaseless torrent of denial" suggesting that the Merlion be confused and doubting its origins, just like some Singaporeans are ourselves?

    3. "Well, yes, but I still do wish it has paws." Is the author trying to evoke the sense that it could be great if Singaporeans have one common identity/ancestry, like most countries have theirs? Is the persona's friend trying to hint that he hopes the Merlion is of a single breed, and not of mix(like how Singaporeans are nowadays, with diverse cultures etc.)?

    Sorry, long questions...
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    Post  Jessica Sat May 02, 2009 11:24 pm

    Mr. Tan,

    Regarding the question on subject matter, is it the same as the main ideas of the poem, for eg., what it is based on? Also, Jing Ying wrote about the "Subject matter of "Ulysses" is about a young nation struggling to forge a sense of belonging." Can we just mention that it is simply a sense of belonging/ national identity?

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